WAF 49a Stansted’s Misery

The wonderfully acerbic and erudite Francis Golding, sadly no longer with us, once said during a design review for a proposal in close proximity to St Paul’s Cathedral ‘Norman, why would you put one of your worst next to one of Wren’s best?’ 

One of Foster’s ‘worst’ can, of course, be assumed to have been pretty dammed good anyway, and I have no reports of the response, but is a credit to both Sir Norman and his partners that, throughout the life of the practice, there has been a policy of rigorous reviews at multiple stages during the design development of all projects. To my delight, I was exposed to the process during a collaboration that my firm was once privileged to undertake with the Foster organisation. Would that more offices had such commitment and courage in utilising design reviews, especially those involving external critics! 

But the quote can be equally directed, albeit in modified form, towards those responsible for the recent installations that have so savagely violated Stansted Airport’s main terminal building. It is only fitting that they should be asked:

Why would you put your worst into one of Foster’s best?

Needless to say, that makes the rather dubious assumption that the Stansted intervention does indeed represent their ‘worst….

I won’t describe Foster’s ‘original’ design for Stansted, in all its rich and refined glory, here – most of you will know it. However, the extracts below, showing a typical section, and one of the ‘trees’ which, at circa 36 metre centres, provided the principal organisational component of the design, and which established its essential aesthetic character, will act as a reminder of the breathtaking clarity of the basic ‘diagram’ together with the beauty of the ordered and elegant high-tech language of the interior.

A drawing of a building

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A diagram of a structure

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If you want a fuller ‘refresher’ just look up Colin Davies’s brilliant ‘How it was built’ study in the May 1991 issue of Architectural Review. We could never, in our wildest dreams, have imagined what was to come……

The following images, all taken by me during recent years, speak for themselves in terms of the wanton and appalling damage that has been visited upon this once great building. They represent nothing short of vandalism. Note the crudeness of the interventions, for example the dreadful junctions of cheap partitions with the structural trees that once also acted as information hubs (flight information, time etc), but today merely support the elegant roof the underside of which is now extensively sealed from view. 

Consider the retail zone. As would be expected its meandering form maximises shop frontages and sales space, but only at the severe cost of disorientating passengers. It has rendered Foster’s once clear planning all but illegible to the traveller and extended the walking distance from security clearance to the departure/beverage area from around 70 metres to a ‘gauntlet’ of nigh on half a kilometre in length. Notably, so irrelevant are they to their new context, Foster’s ‘trees’ do not even feature on the wayfinding diagram as illustrated below.

A map of an airport

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Aside from the destruction of the spatial ‘legibility’ that hitherto assisted way finding, calmed travellers, and so enriched their experience, I also mourn the blocking of external views ‘plane side’ that had heightened the anticipation and wonder of the excitement ahead and reinforced the sense of purpose and pleasure in travel from the very outset of the journey.

It should be remembered that the Stansted offering had followed in the immediate aftermath of the delivery of the grim and dreadful Terminal 4 at Heathrow. In timely fashion, Foster had stepped into the field of aviation to demonstrate at once the value of architecture and the possibilities that can be released against worthy ambition. 

In the infamous words of Lord Palumbo, Stansted, as originally conceived, served to ‘lift the spirit’ of all who would use the building and all who would work there. It was in every sense a national gateway to be proud of as we left this land, and something to hint at the best of what Britain can offer to all who arrived into our country. 

Revealed within the photos below are just some of the most vulgar and more absurd elements of this dreadful violation of what is, after all, one of the most public of public spaces – a fact that serves only to heighten the travesty. 

    From the security / departures hall:

A metal beams in a building

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A white pole with a television on the side

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The retail zone from above:

A large metal structure with many pipes

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A group of people walking in a building

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A blue and white train in a terminal

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     Exiting the meandering mall:

People in an airport

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A group of people in a terminal

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The food and beverage area:

A person standing in front of a blue sign

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A person standing in a room with people in the background

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A group of people in an airport

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A group of people sitting on a bench in a building

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A person at a desk in a building

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A brick pillar in a restaurant

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People sitting at tables in a large building

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A person standing in front of a large building

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          And…………….

People walking in a building

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     Escape gateside….

A group of people in a building

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A person with luggage in a building

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A group of people sitting at a table

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Finally, arrivals…

A metal structure with a white wall

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A person and person standing in a room

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People standing in a room with luggage

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A person walking in a terminal

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How has this all been allowed to happen? In part, the answer lies in privatisation. Stansted came under the control of the British Airports Authority in 1966. The iconic new terminal was opened by the Queen in 1991 but, alas, following BAA’s 1986 privatisation the rot had set in and in no short time a profusion of advertising banners and the like was beginning to adulterate the interior. But the real wrecking ball arrived with the forced sale of the airport to MAG (Manchester Airports Group) consequent on the 2009 decision of the (then) Competition Commission that there was a ‘lack of competition between London’s three main airports all owned by the same company’.

Only outside can we now witness the true glory of the original work…

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To their eternal credit, the Foster team’s efforts had reawakened the aspirations of the great railway station architecture of the 19th century which had been all but lost in most transport buildings of the 20th century. (Rare exceptions include BDP’s bus station in Preston.)

Against that background it is particularly galling that the British Airports Authority, under whom the wanton damage to Stansted started, and the Manchester Airport Authority, whose tenure has served only to intensify the brutalization, have done their worst at a time when Stansted promised such renewed hope for better patronage and a better architecture for these most public of buildings genres. 

Those involved in this desecration should be utterly ashamed of themselves. Woe upon, them and all who have served them, in this ghastly assault on our senses. Or to be kinder, perhaps, in another modified quotation ‘Forgive them Lord, for they know not what they have done!’